"Eyes wide. Jaw clenched. Absolutely can’t blink. Arms a
quiver as you transfer that precious little piece of yourself into the eager hands of another…" Chloe of Little Green Shoot says it so well. When an art form of any kind is made, it becomes a very special part of the artist. As a child is precious to his mother, so an art piece is precious to the artist. This leaves us with an interesting question; how do artists feel when their artwork is handled, stroked, explored, felt, or touched by another individual?
Personally, I am a big fan of having my pieces touched by people because it has a very strong focus on texture. Each painting has special layers of painted texture that bring the piece to life. Unfortunately, physical texture is often difficult to portray in photos. This can be true with several different mediums including Audrey's of The Audzipan Anthology. Her specialty is screen printing fantastic designs on clothing and accessories. She shares, "My Cherry Branch Messenger Bag, for instance, is actually a piece of fabric with the cherry branch design printed onto it and appliqued onto the bag, instead of a two-color print that it can look like in far-away shots." If someone were to hold her bag, they would know right away how it was constructed and feel more comfortable with the purchase.Susan of Blackbirds & Bumble Bees has
several benefits to having individuals handle her artwork. She explains, "I work in a medium that is multi-sensory and rather sensual, encaustic beeswax painting. When melting the beeswax, there is a faint honey fragrance." So not only does the wax include physical texture that is wonderful for touching, the smell brings the sensory connection to a higher level.
Someone who is always happy to hand her work over is Kim of Vilt a la Kim because it shows the quality of her product. She does wonderful things in the world of felting and explains that "by feeling how my work is felted, you can feel the differences with other felt. Industrial made felt is mostly not 100% wool....and there are so many breeds of sheep. Not every wool feels the same." Feeling her product lets an individual know the true value of her art.Although Chloe (who works with leather as a medium)
describes the anxiety that goes along with handing your artwork over, she also knows how important it is for a potential customer to have that experience. She explains, "Seller psychology 101: Once your art is in the hands of a browser, they automatically feel as though they own it & are 90% more likely to buy as a result!" A physical connection to the product can often turn a "maybe" into a "yes." Thus the struggle with selling online ;)It seems as though the vote is unanimous - art is for touching. Now, if only the Louvre felt the same way....
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